Breng mij die horizon! Filosofische reisverhalen

Breng mij die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom, 2019.  Breng mij die horizon! laat zien wat er gebeurt…

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De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

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Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

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命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

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Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

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Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

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后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

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Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

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Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

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Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

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The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

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Paniek in de Polder. Polytiek in tijden van populisme

Paniek in de Polder. Polytiek in tijden van populisme

Jos de Mul. Paniek in de Polder. Polytiek in tijden van populisme. Rotterdam: Lemniscaat, februari 2017. Uitgebreide en geactualiseerde editie…

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Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

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The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

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PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

Jos de Mul. PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden). Over intelligente robots, emoties en sociale interactie.…

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Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0.  Rotterdam: Lemiscaat: 2016. ISBN 978 90 477 0925 1…

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2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

Jos de Mul. Hoe ik bijna boeddhist werd. Trouw. Bijlage Letter en Geest, 25 november 2017, 14-18. Het gastenverblijf van…

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The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

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Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Jos de Mul. Wittgenstein 2.0: Philosophical reading and writing after the mediatic turn. In: A. Pichler & H. Hrachovec (eds.) Wittgenstein and…

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Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

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2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45. Kansai Science City doet op…

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Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

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Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

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The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

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序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

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The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

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Jos de Mul. From open design to metadesign. Keynote lecture at the international conference 3D printing: destiny, doom or dream? eLaw@Leiden, Leiden University, 14 and 15 November, 2013.

In recent years 3D printing has become a hot topic in the media, in industry and in academia. Some claim that 3D printing will enable us to print, rather than buy, all of the products we normally obtain from stores – from clothing and automobile parts to different foods and jewelry. Moreover, with 3D printing we may in the future be able to print organs and tissues, and hence alleviate or solve the suffering of those in need of transplants. With solutions to pressing problems ranging from organ shortages to reducing our environmental footprint through less waste, less transport costs, to more innovation, creativity and personalization some argue that 3D printing is a heavenly destiny indeed.

At the same time, however, there are also critical voices to be heard. First and foremost, while 3D printing has been on the market for some decades now, the public at large has yet to get to know it in practice, let alone to adopt it for their personal production purposes. Techniques and technologies for 3D printing have developed drastically over time, but the mass deployment of this technology is only just picking up momentum. Moreover, research and development with respect to the applications mentioned above – printing your own food or a new organ – are still in their infancy and will probably take decades to come to maturity. These points have led critics to suggest that the big dreams behind 3D printing may turn out to be the hallucinations of a hyped-up new prospect, forever receding over the horizon. 

Finally, 3D printing raises serious social, ethical, regulatory and legal questions. If individuals can print anything they want, how are we going to solve issues of, for example, gun control or intellectual property infringement? What will be the effects of home-printed goods and foods on our economy, on the transport sector, on the worldwide hunt for scarce resources? Does this new technology need regulation, and if so, how will we regulate it, and with which purposes? What is the effect of a level playing field for producing goods on innovation and creativity?

These and many other question will be addressed during the two-day international, multidisciplinary conference ‘3D printing: destiny, doom or dream?, which will take place on 14 and 15 November 2013 at Leiden University’s Law School in the Netherlands. This conference is organised by eLaw, the Centre for Law in the Information Society, and is part of its biannual conference series.

 

 

Gepubliceerd in: Lectures
Jos de Mul. The work of art in the age of digital recombination. Invited lecture at Osaka University. Osaka, October 24, 2013.

 

Gepubliceerd in: Lectures
Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY) Press, 2014. 

Destiny Domesticated investigates three approaches Western civilization has tried to tame fate: the heroic affirmation of fate in the tragic culture of the Greeks, the humble acceptance of divine providence in Christianity, and the abolition of fate in modern technological society. Against this background, Jos de Mul argues that the uncontrollability of technology introduces its own tragic dimension to our culture. Considering a range of literary texts and contemporary events, and drawing on twenty-five centuries of tragedy interpretation from philosophers such as Aristotle, Hegel, Nietzsche, and Heidegger, literary critics George Steiner and Terry Eagleton, and others, de Mul articulates a contemporary perspective on the tragic, shedding new light on philosophical topics such as free will, determinism, and the contingency of life.

Hard cover - 358 pages 
$90.00 hc 
ISBN 978-1-4384-4971-5

Electronic - 358 pages
$27.95
ISBN13: 978-1-4384-4973-9

Paperback - 358 pages
$27.95
ISBN13: 978-1-4384-4972-2
Release Date: January 2015

SUNY Press
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REVIEWS

“The most important merit of the book is to propose a convincing definition of man and his relation to technology. With regard to the first aspect, de Mul occupies a middle position between the modern philosophies of the subject and the postmodern philosophies which have deconstructed it. As opposed to the Cartesian transparent and self-evident cogito, he argues that there are forces inside and outside man which make us often act against our own expectations. Unlike the contemporary heirs of the masters of suspicion Marx, Nietzsche and Freud, he does not believe that the subject is a mere illusion. The tragic definition of the subject is halfway between these two exaggerations. The tragic man is at the same time powerful and powerless, autonomous and limited, strong and fragile, and there is a surprising continuity between the ancient Greek man and the contemporary human being. Maybe the truth is that we have always been tragic – we have never been modern – but for a long period we have acted as if it was the case. As regards our relation to technology, too, de Mul’s position is halfway between two extremes. In contrast to a certain – especially continental – philosophy of technology of the twentieth century, represented by authors like Heidegger, Ellul, and Marcuse, he does not think that technology is intrinsically destructive forman. Yet it does not mean that technology is simply neutral, according to him. The tragic man deals with technology without unjustified fear, but he is aware of its power.

Thanks to this clear perspective, the text can have a relevant role in the contemporary philosophical debate on technology. Although it was originally published in Dutch in 2006, its ideas are current more than ever.”

Alberto Romele

 

Gepubliceerd in: Books
Jos de Mul. Homo ludens 2.0. Play, Media & Identity. Invited lecture at the Department of Philosophy. Kyoto University, October 21, 2013
Gepubliceerd in: Lectures
Jos de Mul and Renée van de Vall (eds.). Gimme Shelter. Global Discourses in Aesthetics. International Yearbook of Aesthetics. Vol. 15. Amsterdam: Amsterdam University Press, 2013.

Gimme Shelter. Global discourses in aesthetics contains a series of reflections on the impact of globalization on the arts and the aesthetic reflection on the arts. The authors – fifteen distinguished  aestheticians from all over the world -   discuss a variety of aesthetic questions brought forth by the aforementioned process of globalization. How do artistic practices and aesthetic experiences change in response to these developments? How should we articulate these changes on the theoretical level? When reflections on the significance of art and aesthetic experiences can no longer pretend to be universal, is it still possible to lay claim to  a wider validity than merely that of one’s own particular culture? What type of vocabulary allows for mutual – dialogical or even polylogical – exchanges and understandings when different traditions meet, without obliterating local differences? Is there a possibility for a creative re-description of globalization? And is there a meaning of ‘the global’ that cannot be reduced to universalism and unification? Can we seek shelter in a legitimate way?

Free download of the entire book (Open Access edition)

 

Gepubliceerd in: Books
Jos de Mul, Forever online? Een socratische monoloog over de sociale media. Biddinghuizen: Lowlands, 17 augustus 2013.

Steeds meer mensen brengen steeds meer tijd door op de sociale media. Doen we daar wel goed aan? Met een verwijzing naar Plato's bespreking van de sociale media uit zijn tijd (het toen in opmars zijnde schrift) zal Jos de Mul ingaan op het nut en het nadeel van de sociale media voor ons leven.

 

Gepubliceerd in: Lectures
Jos de Mul, RayFish Footwear, or the age of the biotechnological sublime.  Invited lecture at the 19th International Congress of Aesthetics. Krakow: Jagiellonian University, July 23, 2013.

The notion of the sublime, which since the nineteenth century is one of the dominant aesthetic categories, is strongly connected with (the artistic representation of) overwhelming nature. In my talk I will argue that in the course of the 20th century the sublime increasingly becomes entangled with the experience of technology. However, in the age of biotechnologies, such as genetic modification and synthetic biology, the sublime regains a natural dimension. Illustrated by RayFish Footware and some other striking examples of recent 'bio-art' it will be argued that in the age of biotechnology the difference between nature, technology and art will gradually vanish, and new dimensions of the sublime will become manifest.

 

 

Gepubliceerd in: Lectures
Jos de Mul. Playful Identities: From Narrative to Ludic Self-Construction. Lecture and chair of the Playful Identities Panel at the international conference Paul Ricoeur and the Future of the Humanities.University of Groningen.

Jos de Mul: Playful Identities: From Narrative to Ludic Self-Construction

The aim of the interdisciplinary (conceptual-philosophical, media-theoretical, and qualitative empirical) Playful Identities (NWO) program (2005-2011) was to investigate if, and if so, to what extent and in what way, digital information and communication technologies are transforming the (construction of) personal and cultural identity. To that end we’ve developed a theory of ludic identity that critically elaborates on Ricoeur's theory of narrative identity. In this theory play and games are not only appropriate metaphors for human identity, but they are also conceived of as means by which people reflexively construct their identity.  In his presentation, Jos de Mul will sketch the outlines of this theory of ludic identity, against the background of which the other panelists, who all participated in the research program, will present some of the research projects in more detail.

Gepubliceerd in: Lectures
Jos de Mul. The biotechnological sublime. From nature to technology and back. Princeton Institute for Advanced Study. The Institute Letter. Spring 2013, 17.

Many things are awesome, but none more awesome than man.

Sophocles

Every once in a while we experience something extraordinary. Such ‘awesome’ experiences might happen in our research, when we unexpectedly discover something really amazing, or when we come across a magnificent landscape, hear a piece of music that really moves us, or when we fall deeply in love. Traditionally these kinds of extraordinary experiences are called “sublime”. In the following I will present some reflections on one particular kind of sublimity: the technological sublime.

Jos de Mul. Destiny Domesticated, or Five Not-So-Easy Ways to Tame Fate, in Frank van der Stok (ed.). Daan Paans: Letters of Utopia. Breda: The Eriskay Connection, 2013, 145-157.

Fate. Sooner or later it knocks at everyone’s door. In many different ways. It can enter our lives gradually in the guise of an incurable disease or spring on us suddenly in the guise of an unexpected oncoming car in our lane. It can befall us from the outside like a devastating tsunami, or loom up from within like an all-consuming jealousy. Fate can happen unintentionally, or be done to us – or another person – on purpose. It comes in the horrible guise of war and the intoxicating appeal of an addiction. It is painful when it happens to us, and often even more painful when it befalls someone we love. Without wanting it our frail happiness is continuously interrupted by fatal events. And even when we are lucky enough to avoid grand catastrophes in our lives, in the end we inevitably lose our loved ones and we, ourselves die. While fate inescapably befalls us we find it hard to bear that thought. It is a burden that we cannot carry, but that we also cannot shed.

Gepubliceerd in: Book chapters
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