Breng mij die horizon! Filosofische reisverhalen

Breng mij die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom, 2019.  Breng mij die horizon! laat zien wat er gebeurt…

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De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

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Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

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命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

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Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

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Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

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后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

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Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

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Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

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Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

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The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

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Paniek in de Polder. Polytiek in tijden van populisme

Paniek in de Polder. Polytiek in tijden van populisme

Jos de Mul. Paniek in de Polder. Polytiek in tijden van populisme. Rotterdam: Lemniscaat, februari 2017. Uitgebreide en geactualiseerde editie…

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Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

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The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

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PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

Jos de Mul. PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden). Over intelligente robots, emoties en sociale interactie.…

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Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0.  Rotterdam: Lemiscaat: 2016. ISBN 978 90 477 0925 1…

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2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

Jos de Mul. Hoe ik bijna boeddhist werd. Trouw. Bijlage Letter en Geest, 25 november 2017, 14-18. Het gastenverblijf van…

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The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

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Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Jos de Mul. Wittgenstein 2.0: Philosophical reading and writing after the mediatic turn. In: A. Pichler & H. Hrachovec (eds.) Wittgenstein and…

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Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

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2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45. Kansai Science City doet op…

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Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

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Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

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The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

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序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

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The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

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Doorzoek deze website:

Jos de Mul. Possible printings. On 3D printing, database ontology and open (meta)design. In: B. van den Berg, S. van der Hof & E. Kosta (eds.) 3D Printing: Legal, Philosophical and Economic Dimensions - Information Technology and Law Series. The Hague: T.M.C. Asser Press, 2016, 87-98.

3D printing can be approached from a number of different disciplinary angels, as it has possible implications for a great variety of human practices, ranging from the organization of economic production to the domain of legal and regulatory issues. In my talk I will focus on 3D printing from yet another angle: design, more particularly the perspective of open design. In Fabricated: The New World of 3D Printing, Lipson and Kurman claim no less than that 3D will  cause “a revolution in the way we make and design things, because of the close connection between the software design of an object […] and its physical manifestation”.[2] Although we should be somewhat skeptical when the word “revolution” in the often hyperbolic discourse on information and communication technologies, it is obvious that 3D printing has the potential to bring about important changes in many domains, including the  world of design. Especially because of its open character, 3D printing challenges traditional design practices. In this chapter, I will investigate some of the implications of the database ontology, which characterizes the open design of 3D printing.

In the announcement of the 2010 Amsterdam conference Redesigning Design, which was organized by Creative Commons Netherlands, Premsela, Dutch Platform for Design and Fashion, and Waag Society, and which resulted in the book Open Design Now. Why design cannot remain exclusive[3]  the present situation in the world of design was described as follows:  “The design industry is going through fundamental changes. Open design, downloadable design and distributed design democratize the design industry, and imply that anyone can be a designer or a producer”. The subtext of this message seems to be that open design - for reasons of brevity I will use this term as an umbrella for the aforementioned developments, thus including downloadable, distributed design and the possibility to  recombine modules to personalized designs and to 3D print them at home or in a specialized shop around the corner– is something intrinsically good, something we should promote. Though my general attitude towards open design is a positive one, I think we should keep an open eye for the obstacles and pitfalls, in order to avoid that we will throw out the designer baby along with the bath water.

This chapter consists of three sections. First I will present a short sketch of open design. As this concept has quite some different connotations and, for that reason, is prone to conceptual confusion, it might be useful to illuminate this tag cloud of connotations. In this first part, I will also summarize some of the objections that can be (and has been) directed against open design.

Gepubliceerd in: Book chapters
Jos de Mul. Human Nature after Neo-Darwinism. Lecture and Seminar with prof. Jos de Mul. Radboud University, Erasmus Building E3.12. February 15, 16:00-17.30. 

To celebrate the CCEP's third anniversary, prof. Jos de Mul will give a seminar on the notion of human nature in the wake of neo-Darwinism. The seminar will be structured around two texts by prof. De Mul, which participants will receive in advance. If you want to attend, please register by sending an e-mail to the address below.

The afternoon seminar will be followed by a public evening lecture (in Dutch), hosted by Radboud Reflects. For more information on the latter, please see their website.

Contact

Arjen Kleinherenbrink

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Gepubliceerd in: Lectures
Jos de Mul. NextNature. Sublime natural and technological landscapes. Invited lecture at the Department of Urban Design. Wuhan University. Wuhan, May 24, 2015.

The development of the representation of the landscape in Europe since the 14th century Renaissance can be understood as a mirror of the development of modern and postmodern Western culture as a whole. After sketching the development of landscape representation in modern and postmodern Europe, the article focuses on the theme of sublimity, which, at least since the era of Romanticism, has been inherent to the European experience and representation of the landscape, both in its successive natural and in its technological manifestation. Against this background, the paper also discusses some striking differences between the European and the Asian landscape.

Gepubliceerd in: Lectures
Jos de Mul. Earth Garden. Not going back, but going forward to nature. Invited lecture at International Conference Environmental Aesthetics & Beautiful China. Wuhan: University of Wuhan, May 21, 2015.

Abstract Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions, the article will try to show, using some striking examples, that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature, leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was, or to a gloomy expression of the vanishing of nature amidst the modern, technological world. Connecting to both the concept of “harmony,” which is a key concept in Eastern aesthetics, and to some recent reflections in Western philosophy on the relationship of nature and technology, a post-nostalgic conception of nature and natural beauty is defended, in which nature and technology are no longer seen as opposing categories, but rather as poles that are intertwined in an ever-lasting process of co-evolution. It is argued that we should not so much strive to go “back to nature,” but rather to go “forward to nature” and establish a new harmony between human and non-human nature and technology. The article ends with some reflections on the role aestheticians may play in this transformation.

Published as:Jos de Mul. The Earth Garden: Going Back or Going Forward to Nature? Frontiers of Philosophy in China. Vol.12 (2017) 2: 237-248.

 

Gepubliceerd in: Lectures
Jos de Mul. The biotechnological sublime. Research Seminar Dutch Research School of Philosophy. Utrecht University, October 31, 2014.

State of the Art Aesthetics (2014) – OZSW and UU Graduate Course

Invitation / Call for applications

The Dutch Research School of Philosophy (OZSW) and Utrecht University invite PhD students/ PhD and ReMa students in philosophy to register for the course “State of the Art Aesthetics” to take place in Autumn 2014. There will be room for approx. 25 students.

Dates of course:               24 and 31 October, 14, 21, 28 November 2014 (5 Fridays)
Location:                            Utrecht University, Kromme Nieuwegracht 80, Van Ravensteijnzaal
Application deadline:          Friday 15 September 2014 (registration form for this course)

 

About the topic

Art is a practice deemed central to modern culture, but how is its importance to be conceptualised? The course presents a survey of approaches in philosophical aesthetics, by specialists in the field. All speakers presents their own approach as explicitly as possible: their philosophical tradition and methodology. The traditions may or may not intermingle in the course.

The subjects of the lectures present the contemporary debates, and range from questions about the philosophical discipline as a whole, and art as a practice, to questions about specific fields of application, such as particular art forms or aesthetic phenomena.

Gepubliceerd in: Lectures
Jos de Mul, Big data and online identity. Lecture at the conference Soft data pour les politiques publiques de la ville: une approche critique. Lille: Université  Charles de Gaulle (Lille 3), October 16, 2014.


Soft data pour les politiques publiques de la ville: une approche critique. Jeudi 16 octobre 2014, Lille (lieu à confirmer). Journée organisée dans le cadre du PEPS Décision, indicateurs et politiques publiques

 

Argumentaire

Ces dernières années, les nouvelles technologies ont radicalement changé plusieurs secteurs de la société tels que l'économie, la santé, le transport et d’autres. Un des changements les plus révolutionnaires concerne certainement la diffusion des technologies numériques, notamment le réseau Internet (Castells, 2000). Ce qui rend ce changement particulièrement intéressant est le fait qu'il affecte à la fois la société elle-même et la façon de l’étudier et de la gérer (Benkler, 2006).

Gepubliceerd in: Lectures
Jos de Mul, The possibility of an island. Michel Houellebecq's tragic humanism. Journal of Aesthetics and Phenomenology, Vol. 1 (2014), Issue 1, pp. 91–110.

 

The Possibility of an Island: Michel Houellebecq’s Tragic Humanism1

 

Abstract

Various authors, including Friedrich Nietzsche and George Steiner, have argued that the tragic worldview, as we find it expressed in Greek tragedy, has become an entirely incomprehensible phenomenon for (post)modern man. The claim defended in this article radically opposes this view. It is argued that tragedy can still teach us something today, and maybe even more so now than in the many intervening centuries that separate us from her days of glory in the fifth century bce. The tragic reveals itself once more in (post)modern society, and nowhere more clearly than in technology, the domain in which we believed the tragic had been domesticated or even eliminated. Referring to the tragic humanism in Michel Houellebecq’s novels The Elementary Particles and The Possibility of an Island it is argued that it is precisely in (post)modern (bio)technologies that we experience the rebirth of the tragic.

Keywords: tragedy, technology, humanism, transhumanism, Michel Houellebecq, Friedrich Nietzsche

Jos de Mul, Presentation Chinese translation of Destiny Domesticated. Guangzhou, South China Book Festival, 19/23 augustus 2014.

In August 2014, the Chinese translation of Jos de Mul's  The Rebirth of Tragedy Out of the Spirit of Technology will be presented at the South China  Literature Festival  in Guangzhou (August 19-25, 2014). After the presentation, the author will be interviewed by translator Mai Yongxiong. They will also discuss previous Chinese publications of De Mul, such as Cyberspace Odyssey. So far, four books and a dozen articles of Jos de Mul have been published in Chinese translation.

The South China Book Festival is the most massive and influential Book Festival in China. In 2013, millions of citizens participated the festival. In 2014, the focus is on Dutch Literature.  Kader Abdolah, Abram de Swaan, Jelle Reumer, and Jos de Mul have been been invited as special guests at the 'Dutch Literature Week, entitled 'Blooming Tulip in Flower City Guangzhou'.

Gepubliceerd in: Lectures
zaterdag, 08 februari 2014 17:22

Homo ludens 2.0: Play, Media and Identity

Valerie Frissen, Jos de Mul, and Joost Raessens. Homo ludens 2.0: Play, Media and Identity, in Judith Thissen, Robert Zwijnenberg and Kitty Zijlmans (eds.), Contemporary Culture. New Directions in Art and Humanities Research. Amsterdam: Amsterdam University Press, 2013, 75-92.
 

Foreplay

Immense est le domaine du jeu.  (Emile Benveniste)

A spectre is haunting the world - the spectre of playfulness. We are witnessing a global “ludification of culture”. Since the 1960s, in which the word “ludic” became popular in Europe and the United States to designate playful behaviour and artefacts, playfulness has increasingly become a mainstream characteristic of our culture. Perhaps the first thing that comes to mind in this context is the immense popularity of computer games, which, as far as global sales are con­cerned, have already outstripped Hollywood. According to a recent study in the United States, 8 to 18 year olds play computer games on average for one hour and a half each day on their consoles, computers and handheld gaming devices (including mobile phones).1 This is by no means only a Western phenomenon. In South Korea, for example, about two-thirds of the country’s total population frequently plays online games, turning computer gaming into one of the fastest- growing industries and “a key driver for the Korean economy”.2Although perhaps most visible, computer game culture is only one manifesta­tion of the process of ludification that is penetrating every cultural domain.3 In our present experience economy, for example, playfulness not only characterizes leisure time (fun shopping, game shows on television, amusement parks, playful computer and Internet use), but also domains that used to be serious, such as work (which should chiefly be fun nowadays), education (serious gaming), poli­tics (ludic campaigning) and even warfare (video games like war simulators and interfaces). According to Jeremy Rifkin, “play is becoming as important in the cultural economy as work was in the industrial economy”.4 In ludic culture, sociologist Zygmunt Bauman argues, playfulness is no longer restricted to child­hood, but has become a lifelong attitude: “The mark of postmodern adulthood is the willingness to embrace the game whole-heartedly.”5 Bauman’s remark sug­gests that in postmodern culture identity has become a playful phenomenon too.In this article we want to re-visit Johan Huizinga’s Homo ludens (1938) to reflect on the meaning of ludic technologies in contemporary culture. First we will analyze the concept of “play”. Next, we will discuss some problematic aspects of Huizinga’s theory, which are connected with the fundamental ambigu­ities that characterize play phenomena, and reformulate some of the basic ideas of Huizinga. On the basis of this reformulation we will analyze the ludic dimen­sion of new media and sketch an outline of our theory of ludic identity construc­tion.

Gepubliceerd in: Book chapters
Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0. Essay van de Maand van de Filosofie. Rotterdam: Lemiscaat: 2014.

ISBN 978 90 4770 650 2
NUR 730

In Kunstmatig van nature bespreekt Jos de Mul de betekenis van recente ontwikkelingen in de robotica, neurowetenschappen en biotechnologie voor ons zelfbegrip en dagelijks leven. Wat te denken van de Japanse humanoïde robot Miim, ontworpen door Kazuhito Yokoi, die kan dansen, zingen en kleding showen op de catwalk? Zullen dergelijke robots dankzij erotische programmatuur, net als in de sciencefiction-serie Real Humans, een commercieel succes worden? Of neem het experiment van de Amerikaanse neurowetenschapper Miguel Nicolelis die elektroden in de hersenen van een resusaapje heeft aangebracht om de neuronenactiviteit tijdens zijn bewegingen te registeren. De aldus verkregen informatie brengt via het internet elders in de wereld de robot CB-1 in beweging. Een kleine stap voor de robot, maar een gigantische sprong voor het aapje -- en mogelijk in de nabije toekomst ook voor dwarslaesiepatiënten.

Op biotechnologisch gebied heeft men alternatieven ontwikkeld voor het DNA, het ‘bouwplan’ van al het leven. Terwijl de evolutie ooit bestond uit natuurlijke selectie, betreden we met deze alien genetics het tijdperk van kunstmatige selectie. Mogen we hiermee planten, dieren en mensen ‘verbeteren’? Deze nieuwe technologieën vergroten niet alleen onze kennis van het leven op aarde -- ze zijn allang begonnen dat leven fundamenteel te transformeren. Wie we zijn en wat we willen worden, is meer dan ooit een open vraag, een opgave. Zijn wij, ‘de eeuwig toekomstigen’ volgens Nietzsche, onderweg naar Homo sapiens 3.0?

‘Worden wij de eerste soort op aarde die zijn eigen evolutionaire opvolger gaat scheppen?’ -- Jos de Mul

‘Grote eruditie en lucide kijk op veranderingen in de hedendaagse cultuur.’ -- Marc Van den Bossche over Cyberspace Odyssee in Standaard der Letteren

‘Gloedvol pleidooi voor een tragisch levensbesef.’ -- Arnold Heumakers over De domesticatie van het noodlot in nrc Handelsblad  

 'Ik wou dat ik als student zoiets had kunnen lezen' - Piet Hut (Institute for Advanced Study, Princeton) over Kunstmatig van nature

 

Uit de recensies 

'In het derde hoofdstuk, over robots, krijgt De Muls betoog [...] vleugels. De Zweedse televisieserie Real humans biedt tal van aanknopingspunten voor een boeiend betoog' --- Marcel Hulspas in de Volkskrant

'De speculatieve antropologie die De Mul zegt te beoefenen is  een vorm van filosofische sciencefiction' - Arnold Heumakers in NRC Handelsblad

'Het is een boeiende gedachtegang die De Mul [...] aangaat, maar ook één die allerlei vragen oproept.' --- Marc Janssens in het Nederlands Dagblad

'Met Jos de Mul hebben we te maken met een variant van de idiot savant, de krankzinnige professor, en een nuchtere wetenschapper. Die twee wisselen elkaar voortdurend af. Hij weet idioot veel van wat zich allemaal afspeelt in de biologie, de astronomie, kunstmatige intelligentie, biotechnologie, neurologie of ecologie' --- Carel Peeters in Vrij Nederland

‘Stof tot nadenken dus, op een zeer bevattelijke manier gebracht. Een aanrader.’ --- Jan Matthys in Liberales

'Een zeer verontrustend essay' ---- Ab Blaas, Humanistisch Verbond

'De term ‘onderweg’ die in de ondertitel voorkomt typeert de inhoud van het boek heel goed. Wat wordt geschetst is een evolutionair perspectief. Daarbij komt de gehele ons bekende wereld wel zo ongeveer aan bod. Voor wat betreft het begin wordt aangeknoopt bij de Big Bang theorie, die moderne oerei-mythe. Gelukkig haalt De Mul er de stelligheid uit die vele presentaties van de betreffende denkbeelden ontsiert. En hetzelfde geldt voor zijn beschrijving van het evolutionaire proces dat uiteindelijk – of zo men wil: voorlopig  –  heeft geleid tot de  mens. [...] De Mul houdt een voorzichtiger lijn aan: “Dysons idee dat we de biotechnologie weldra zullen hebben gedomesticeerd , is al met al tamelijk naïef en getuigt van een grote mate van technologische hybris”. Het is mij uit het hart gegrepen'- Harm Bart in Civis Mundi

Uitgeverij Lemniscaat & Stichting Maand van de Filosofie | Omslagbeeld uit sf-serie Real Humans Omslagontwerp: Marc Suvaal | Pb. 206 pagina’s  | isbn 978 90 477 0631 1

Gepubliceerd in: Books
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