Breng me die horizon! Filosofische reisverhalen

Breng me die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom., 2019.  Breng mij die horizon! laat zien wat er gebeurt…

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De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

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Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

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命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

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Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

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Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

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后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

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Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

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Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

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Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

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The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

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Paniek in de Polder. Polytiek in tijden van populisme

Paniek in de Polder. Polytiek in tijden van populisme

Jos de Mul. Paniek in de Polder. Polytiek in tijden van populisme. Rotterdam: Lemniscaat, februari 2017. Uitgebreide en geactualiseerde editie…

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Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

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The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

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PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

Jos de Mul. PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden). Over intelligente robots, emoties en sociale interactie.…

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Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0.  Rotterdam: Lemiscaat: 2016. ISBN 978 90 477 0925 1…

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2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

Jos de Mul. Hoe ik bijna boeddhist werd. Trouw. Bijlage Letter en Geest, 25 november 2017, 14-18. Het gastenverblijf van…

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The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

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Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Jos de Mul. Wittgenstein 2.0: Philosophical reading and writing after the mediatic turn. In: A. Pichler & H. Hrachovec (eds.) Wittgenstein and…

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Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

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2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45. Kansai Science City doet op…

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Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

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Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

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The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

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序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

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The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

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Menu van de dag - Jos de Mul
Jos de Mul. From Yijing to Hypermedia: Some Notes on Computer-mediated Literary Theory and Criticism. In: Peng Feng (ed.), Aesthetics and Contemporary Art. International Yearbook of Aesthetics. Volume 16. Beijing University: 2016, 114-125.

The development and global dissemination of computers - from the mainframe computers in the middle of the 20th century up to the smart phones that enable us to be online everywhere at any time - has an enormous impact on virtually every domain in human life, including art and literature. In the past decades, we have witnessed the emergence of different kinds of new media, that – among many other things – also have given birth to new art forms and genres, such as computer animations, hypertext, and interactive netart. All these new (that is: computer-mediated) media can be called “hypermedia”, because they share two fundamental characteristics: they are media that are both multimedial and non-linear.

In this contribution I will discuss the impact of hypermedia on literary theory and criticism. More particularly, the question I will focus on in my lecture is: how to write about hypermedia? In what ways do hypermedia affect literary theory and literary criticism. However, when writing about hypermedia, literature can only be a point of departure of our examination. After all, hypermedia are media that absorb and thereby re-mediate the other “old media”, literature included.[1] And this, as I will argue, also applies to literary theory and literary criticism, which at least partly is going to be transformed into hypermedial criticism.

Gepubliceerd in: Book chapters
woensdag, 08 maart 2017 14:34

What is Data?

Jos de Mul. Théo van Doesburg 2.0. What is Data? In: Mieke Gerritzen et al. From Dada to Data. Breda: Museum of the Image (MOTI), 2016, 23.

théo van doesburg 2.0: What is Data? (Publisher: “No Style” The Hague, 2023).

 


You will probably be surprised to be hearing something about Data from someone who is innocent of Dataism, from a non- Dataist

Data: the terror of the stock market gurus, of the privacy seeker, the designer, the cultural entrepreneur, the Gutmensch — of everybody?

A subject such as this is perhaps least suitable for a serious lecture, which is not at all what I have in mind.

I will be satisfied if, as an obligation to friends, I can illuminate the Dataistic attitude to life. This seems to me especially important in a country that has been hermetically sealed against any new expression of life since the 60s.

It would indeed be pretentious if I was under the impression that I could make the mystery of Data intellectually intelligible.

Gepubliceerd in: Book chapters
Bruno Accarino, Jos de Mul und Hans-Peter Krüger (Hrsg.). Internationales Jahrbuch für Philosophische Anthropologie. Band 6 / International Yearbook for Philosophical Anthropology. Volume 6. Thomas Ebke, Sebastian Edinger, Frank Müller und Roman Yos. (Hrsg.). Mensch und Gesellschaft zwischen Natur und Geschichte. Berlin: De Gruyter, 2016, 294 p.

Gegenstand dieses Bandes ist das Wechselverhältnis zweier prägender Traditionen moderner deutscher Philosophie: der Kritischen Theorie und der Philosophischen Anthropologie. Nach Jahrzehnten gegenseitiger Vorbehalte gilt es, Nähe und Differenz dieser philosophischen Richtungen in so grundlegenden Begriffen wie Mensch, Gesellschaft, Natur und Geschichte systematisch zu untersuchen.

This volume explores the interplay between critical theory and philosophical anthropology. After decades of reciprocal misgivings, the time has come to systematically examine the commonalities and differences between these philosophical approaches with respect to such fundamental concepts as the person, society, nature, and history.  

 

 

Gepubliceerd in: Books
woensdag, 17 augustus 2016 10:06

Wat wil je nou? De authenticiteitsparadox

Hans Geluk & Joshua Maldonado, Wat wil je nou? De authenticiteitsparadox.Film, interviews, essays. 2016

We doen er alles aan om authentiek te zijn. We kijken reality TV met echte mensen, we laten op Facebook zien hoe uniek we zijn en willen boven alles vooral onszelf zijn.  We denken hierbij volledig vrij te zijn, maar is dat wel zo? Kunnen we spreken van authenticiteit als iedereen het nastreeft? ‘Wat wil je nou?’ onderzoekt met film, interviews en essays de obsessie naar één van de meest uitgeholde begrippen van deze tijd: Authenticiteit.

‘Wat wil je nou?’ onderzoekt met film, interviews en essays de obsessie naar authenticiteit. Onder anderen de filosofen Hans Kennephol, Maarten Doorman en Jos de Mul hebben zich aan dit project verbonden en komen aan het woord in de film. Website: http://watwiljenou.nl/

Gepubliceerd in: Interviews / tv
Jos de Mul. Noble versus Dawkins. DNA is not the program of the concert of life. Vrij Nederland #13, 2 april, 2016, 77-81.

Forty years ago Richard Dawkins’ book The Selfish Gene launched Neo-Darwinism to the general public. It is still as controversial as it was then. Philosopher Jos de Mul examines the case of Dawkins' biggest critic: Denis Noble.

Text: Jos de Mul

Illustrations: Siegfried Woldhek

IT IS FORTY YEARS since the publication of Richard Dawkins' book The Selfish Gene, published in Dutch as De zelfzuchtige genen. Over evolutie, agressie en eigenbelang. This text of 'orthodox neo-Darwinism’ (Dawkins' own words) sold 1 million copies in more than 25 languages. Probably since Darwin's On the Origin of Species (1859) no other biology book has had such a huge influence both on general public understanding of what it is to be human, and on scientific research, not only in the life sciences, but also in the social sciences and humanities. It is a particularly radical book which with its brilliantly worded message - that organisms are not much more than temporary vehicles for their immortal genes – expresses a reductionist, dramatically deterministic and ultimately nihilistic image of humanity.
 

maandag, 18 april 2016 08:56

The modular body

The Modular Body is an online science fiction story about the creation of OSCAR, a living organism built from human cells. The protagonist is Cornelis Vlasman, a versatile biologist for whom the path well-travelled is the most uninteresting one by definition. Together with a few like-minded people he therefore starts an independent laboratory in which he experiments with organic materials, on his own initiative, with his own resources and his own team.

After many years of hard work, Vlasman’s team succeeds in creating new life from cells taken from his own body. Under his supervision the world’s first living organism is built: OSCAR.

OSCAR is a prototype (the size of a human hand) consisting of clickable organ modules grown from human cells.

What makes OSCAR special is the thought process preceding the organism, which comes down to this: (human) life can be regarded as a closed system but when it is approached as a modular system this may lead to innovative applications and solutions.

In a closed system the parts are designed in such a way that they can only function in one specific configuration, which makes repairs and adaptations very complex. An example of such a closed system is the first Apple Macintosh from 1988.

In a modular system, independent modules – similar to building blocks – make up a transformable and therefore flexible configuration. In 2013, Dave Hakkens produced a Modular Phone that consists of separate parts that can be individually replaced and improved.

With the organism OSCAR Vlasman demonstrates that it is possible to create modular life. Stem cells can be reprogrammed, grown and printed as any type of human tissue. The line separating humans from machines is gradually becoming thinner.

The OSCAR prototype opens up possibilities for the human body, for example when it comes to replacing or improving worn out organs in a possibly ‘clickable’ system. Think of Lego as a metaphor.

In biotechnology many experiments are conducted nowadays with printed organs, regenerated tissue and synthetic blood. Organovo, one of the world’s largest biotech companies, expects to be able to print a functional liver by 2014. Taking the entire human body as a possibly modular system is not (or not yet) possible.

Vlasman develops the OSCAR organism – made up from ‘blocks’ – in his lab. This independent and somewhat obscure laboratory is run by a group of people with various expertise: IT specialists, biologists and designers, working with handmade and sometimes second-hand equipment. They operate outside of official channels, thereby avoiding moratoria, scientific protocols or objections of ethical committees, which perhaps enables them to arrive at this seminal breakthrough.

The primitive, vulnerable organism that finally results from Vlasman’s endeavours is kept alive with blood taken from Vlasman and is continually vaccinated against infections, as it has no immune system. The story refers to various similar narratives in world literature and film history, notably Mary Shelley’s Frankenstein.

Gepubliceerd in: Art

Department of Philosophy of Culture of the Institute of Philosophy, University of Warsaw together with The Humane Philosophy Project
invite for lectures and seminars by

Professor Jos de Mul

(Erasmus University Rotterdam)


who will be the guest of our Institute in the first week of April.

The plan of his visit is as follows:
Tuesday (5th of April) 
1:15 – 3pm (Institute of Philosophy, room 4, ground floor)
open guest lecture Europe, the tragic continent
6:30 – 8pm (Institute of Philosophy, room 108, I floor)
guest lecture on the seminar Imagination and Identity (conducted by dr P. Bursztyka).
The lecture will be entitled: Playful Identities. From narrative to ludic identity formation

Thursday (7th of April)
5 – 8pm (Institute of Philosophy, room 108, I floor)
Seminar: The tragic humanism of Michel Houellebecq.
This seminar is a part of the seminar series: Personhood, Law & Literature. Humane Philosophy and the Idea of the Tragicorganized by The Humane Philosophy Project.
Contact: dr Przemysław Bursztyka (Dit e-mailadres wordt beveiligd tegen spambots. JavaScript dient ingeschakeld te zijn om het te bekijken.)

Jos de Mul is a Professor of Philosophical Anthropology at the Erasmus University of Rotterdam. Among his research interests are metaphysics, philosophy of culture, philosophy of science and epistemology. His publications include: Romantic Desire in (POst)Modern Art and Philosophy (State University of New York Press, 1999) The Tragedy of Finitude. Dilthey’s Hermeneutics of Life, (New Haven: Yale University Press 2004);Cyberspace Odyssey: Towards a Virtual Ontology and Anthropology (Cambridge Scholars Publishing in 2010);Destiny Domesticated. The Rebirth of Tragedy out of the Spirit of Technology (State University of New York (State University of New York Press,  2014).

Gepubliceerd in: News
Jos de Mul. Turing for movie lovers. Artificial intelligence in Her, Ex Machina, and Uncanny. Amsterdam, Studium Generale Rietveld Academie, Amsterdam, 20 januari 2016.

The British mathematician, computer scientist and philosopher Alan Turing (1912 -1954) is not only the inventor of the programmable computer, but also one of the pioneers of artificial intelligence. He also invented the imitation game, a test of a machine’s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human. This so-called Turing test plays a prominent role in several recent science fiction movies, such as Her (2013), Ex machina (2015), and Uncanny (2015). In his lecture Jos de Mul will discuss what these movies tell us about the present hopes and fears that surround artificial intelligence and robots.

Gepubliceerd in: Lectures
Jos de Mul. Database Identity: between construction and control. Invited lecture at the 1st Thinkers’ Summit of Translingual Communication on Life: Data, Symbol and Wisdom. Beijing: Department of Journalism and Communication. Beijing University, January 10-11, 2016.
Gepubliceerd in: Lectures
Jos de Mul. Turingeluurs.  Kunstmatige intelligenties in de films Her, Ex machina en Uncanny. Lezing tijdens de Nacht van de Filosofie Amsterdam. Pakhuis De Zwijger, Studio: 19:30-20:15.

Wat zeggen films als Her en Ex Machina over onze relatie met computers? Wat is het verschil tussen mens en robot en hoe verhouden we ‘ons’ tot ‘hen’? Jos de Mul bespreekt vragen die de beroemde Turingtest – welke van twee tegenspelers is een computer? – oproept. Hij gebruikt daarbij een aantal opvallende voorbeelden uit hedendaagse films.

Jos de Mul is hoogleraar Wijsgerige Antropologie aan de Erasmus Universiteit. In zijn boek Kunstmatig van nature bespreekt hij de betekenis van recente ontwikkelingen in de robotica, neurowetenschappen en biotechnologie voor ons zelfbegrip en dagelijks leven.

Gepubliceerd in: Lectures
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