Breng mij die horizon! Filosofische reisverhalen

Breng mij die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom, 2019.  Breng mij die horizon! laat zien wat er gebeurt…

More...
De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

More...
Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

More...
命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

More...
Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

More...
Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

More...
后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

More...
Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

More...
Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

More...
Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

More...
The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

More...
Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

More...
The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

More...
The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

More...
Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

More...
Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

More...
Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

More...
The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

More...
序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

More...
The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

More...

Search this website:

Sunday, 12 August 2012 20:18

Redesigning Open Design

Jos de Mul. Redesigning Open Design. In Bas van Abel, Lucas Evers, Roel Klaassen, and Peter Troxler. Open Design Now. Why Design Cannot Remain Exclusive. Amsterdam: Bis Publishers, 2011, 34-39.

 

The title of my talk today is “Redesigning (open) design” and the subtitle reads “Applying database ontology”. Let me start explaining this title, the question I want to address this afternoon and the answer I’m going to defend. One of the themes of Picnic 2010 is Redesigning design, of which (Un)limited Words and the (Un)limited Design Awards Ceremony are also part. In the program of Picnic 2010 the theme Redesigning Design is introduced as follows: “The design industry is going through fundamental changes. Open design, downloadable design and distributed design democratize the design industry, and imply that anyone can be a designer or a producer”. The subtext of this message seems to be that open design - for reasons of brevity I will use this term as an umbrella for the aforementioned developments, thus including downloadable design and distributed design – is something intrinsically good, so that we should promote it. Though my general attitude towards open design is a positive one, I think we should keep an open eye for the obstacles and pitfalls, in order to avoid that we will throw out the (designer) baby along with the bath water.

My talk consists of three parts. First I will present a short sketch of open design. I realize that most of you will be familiar with open design, probably even more familiar than I am, but as this concept has quite some different connotations and for that reason is prone to conceptual confusion, it might be useful to illuminate this tag cloud of connotations. In this first part, I will also summarize the main objections that can be (and has been) directed against open design.

Just like the other members of the ‘open movement’, such as open source software, open science, and open technology (as we will see, especially the open biology movement is an interesting example within this context), open design is strongly connected with the development of the computer and the internet. For that reason, in order to gain a deeper insight in both the chances and the pitfalls of open design, we should study the fundamental characteristics of the digital domain. In the second part of my talk I will give a sketch of the database ontology, the ABCD of computing, that underlies the digital domain. And finally, in the third part of my talk I will investigate some of the implications of this database ontology for the world of design. I will argue that in order to develop the positive aspects of open design without falling into the pitfalls, the designer should not so much give up his activities as a designer, but rather should redesign these activities. The designer of the future has to become a database designer, a meta-designer, who does not design objects, but rather a design space in which unskilled users are able to design their objects in a user-friendly way.

Published in Book chapters
约斯·德·穆尔 里斯贝思·努尔德格拉芙 《主权债务危机还是苏菲的抉择:论欧洲的悲剧、罪恶与责任》《社会科学战线》2012年第4期 [Jos de Mul and Liesbeth Noordegraaf-Eelens. The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility, Social Science Front, no.4 2012, 1-5]

主权债务危机还是苏菲的抉择: 论欧洲的悲剧、罪恶与责任

[荷] 约斯·德·穆尔 1  摇里斯贝思·努尔德格拉芙 2

(1作者简介: 约斯·德·穆尔( Jos de Mul), 荷兰伊拉斯谟大学哲学系教授, 研究方向: 哲学人类学; 里斯贝思·努尔德格拉芙(Liesbeth Noordegraaf-Eelens), 伊拉斯谟大学经济系副教授, 研究方向: 哲学、经济学。郾伊拉斯谟大学哲学系, 荷兰鹿特丹3000 DR; 2郾伊拉斯谟大学经济学系, 荷兰鹿特丹3000 DR)

摇摇摘要: 2011 年, 针对金融危机, 欧洲峰会叠起, 但效果不佳。 我们应该开始在金融领域之外进行深入 思考。 文章将以希腊神话中俄狄浦斯的故事及《苏菲的选择》 为例, 阐释悲剧的意义, 从而透视欧洲危机 的深层问题。 解决欧洲危机的关键在于唤起人的责任感。 新自由主义弊端开始在欧洲显现, 当前, 迫切需 要将政治与经济联系起来, 在政治和文化的意义上定义欧洲, 而不是纠结于金融政策的改革。

关键词: 欧洲; 主权债务危机; 悲剧; 责任
中图分类号: G02摇文献标识码: A摇文章编号: 0257-0246 (2012) 04-0229-05

Jos de Mul. Zeitenwende. Wie die digitale Revolution unsere Wahrnehmung von Geschichte verändert. Kulturaustausch. Zeitschrift für internationale Perspektiven. 59. Jahrgang, no. 3 (2009), 76

Der Computer ist eine Zeitmaschine. Er verwandelt unsere Wahrnehmung und er verändert unser Verständnis von Zeit. Mehr noch: Er untergräbt unser historisches Bewusstsein. Die digitale Welt revolutioniert unsere Zeiterfahrung.

In der westlichen Kultur ist das aus dem Altertum stammende zyklische Geschichtsverständnis unter Einfluss der christlichen Heilsgeschichte zunehmend der Überzeugung gewichen, dass sich Geschichte in einer unumkehrbaren, geradlinigen Bewegung vollzieht. Dieses historische Bewusstsein, das seinen Ursprung im 19. Jahrhundert hat, begreift die Wirklichkeit nur in ihrer chronologischen Entwicklung. In den Geisteswissenschaften interpretierte man Sprache, Moral oder Kunst aus ihrer Geschichte heraus. 

Geert Mul en Jos de Mul. God's browswer: the biotechnological sublime. Performance at the Next Nature Powershow. Amsterdam, Stadsschouwburg, 5 November 2011.

Philosopher and professor Jos de Mul and media artist Geert Mul set out to visualize God's Browser in a unique art-science collaboration. The result is a conceptual poem of words  and an excess of images. Welcome in the technological sublime.

The Next Nature Power Show is an intellectual spectacle where artists, scientists, designers, filmmakers, politicians and philosophers present their radical ideas, visionary statements and powerful images on how to design, build and live in Next Nature: the nature caused by people.

More about the NextNature Powershow at NextNature.net

Published in Art
 
Jos de Mul, Popular culture in the age of digital recombination. Keynote lecture at the conference  Aesthetics of popular culture. Organized by the Academy of Fine Arts and Design Bratislava, and the Aalto University, Finland. Bratislava, 29. November – 1. December, 2012.

AestheticsPopularCulture Banner625

Published in Lectures
Monday, 06 August 2012 11:29

2012/09/09 (Beijing) New Humanism

Jos de Mul, New humanism. Invited lecture at the International Academic Conference “Bahuangtongshen—New Humanism · Lu Yushun” Beijing, September 9, 2012.

Lu Yushun, a notable Chinese contemporary artist of mountains-and-waters paintings, a professor and a PH.D supervisor, is the vice minister of China National Academy of Painting and the vice president of Harbin Normal University. As one of the leading characters in the field of Chinese contemporary mountains-and-waters paintings, he still keeps the tradition of attaching Chinese poems with calligraphy art and stamping his own seal to his works and, on the other hand, tries to make modernized transfer about his works. His influential series of thematically created works include "Bahuangtongshen", "The Spirit Home", "The Beautiful Landscape", "The Splendid Mountains and Waters" and "The Dream on the Other Side of the River". All these works fully elaborate the spirits of Chinese culture with a unique vision of Chinese fine art, and vividly reflect the aesthetic feature of Chinese art. Meanwhile, he combines foreign factors into his own works and creates a profound, fresh, colorful and diversified art style—Yushun style. Carrying forward the tradition and harmonizing with the modern style, Mr. Lu Yushun depicts the beautiful nature and strong affection of modern human beings with his humanistic feelings. He reveals the aesthetic features of Oriental and reflects the mysterious and profound spirits and qualities of Chinese art.

Published in Lectures
Bibi van den Berg and Jos de Mul. Remote control. Human autonomy in the age of computer-mediated agency. In: Mireille Hildebrandt and Antoinette Rouvroy (eds.) Autonomic Computing and Transformations of Human Agency. Philosophers of Law meeting Philosophers of Technology. London: Routledge, 2011, 46-63.

Jos de Mul and Bibi van den Berg contend that to a considerable extent, human action has always been ‘remote controlled’ by internal and external factors which are beyond individuals’ control. They argue that it is the reflection on such remote control a posteriori that allows for a ‘reflexive appropriation’ of these factors as our own motivators. The question they thus raise is what difference autonomic computing makes at this point and under what circumstances it will either strengthen or hinder human agency, defined in terms of ‘reflexive appropriation’. 

Published in Book chapters


Jos de Mul, The (Bio)technological Sublime. After Hours Conversation lecture. Institute for Advanced Study, Princeton, October 2, 2012.

IAS Banner625

In our (post)modern world it is no longer the superior forces of nature that calls forth the experience of the sublime, but rather, the superior forces of technology. However, with the transfer of power from divine nature to human technology, the ambiguous experience of the sublime also nests in the latter. In the era of converging technologies – information technology, biotechnology, nanotechnology and the neurosciences – it is technology itself that gains an ungeheuer character in its battle with nature. Without doubt these technologies have increased our power over nature enourmously.

Princeton Banner625

However, this does not mean that we have become gods in the sense that we have gained control over our own destiny. Rather, our relation with nature is changing:

Where technology and nature are traditionally seen as opposed to each other, they now appear to merge or even trade places. While old nature, in the sense of trees, plants, animals, atoms, or climate, is increasingly controlled and governed by man – it is turned into a cultural category –, our technological environment becomes so complex and uncontrollable, that we start to relate to it as a nature of its own.

While technology is an expression of the grandeur of the human intellect, we also increasingly experience it as a force that controls and threatens us. Technologies such as atomic power station and genetic modification, to mention just two paradigmatic examples, are Janus-faced: they reflect, at once, our hope for the benefits they may bring as well as our fear of their uncontrollable, destructive potentials.

At first sight it seems that in these cases technology completely controls and conquers nature. However, in the fast growing domain of the biotechnologies (which will probably become as important in the twenty-first century as the physical sciences were in the twentieth century), we witness a remarkable revenge of nature within technology. After all, technologies like genetic modification and synthetic biology create entities that are no longer passive manipulatable innate elements, but have, and will increasingly have, their ‘own agenda’.

A full version of this lecture will be published in the Spring 2013 issue of the Institute Letter of the IAS.

Published in Lectures
Thursday, 08 March 2012 11:44

Tragedy and repetition

Tragedy and repetition. XPONIKA AIΣΘHTIKHΣ / Annales d'esthetique / Annals for Aesthetics, Vol.46. Volume B (2011), 191-202.

Abstract  According to writers such as Nietzsche, Steiner, and Oudemans and Lardinois the tragic culture of the Greeks has become entirely alien to us. They argue that within the Christian and modern worldview there is no place for tragedy anymore. In this article it is claimed that this does not entail in any shape or form that tragic events cannot take place anymore within Christian and modern culture. In modern culture this particularly happens, with no lack of tragic irony, precisely in the domain in which we believed tragedy had been eliminated: (our interaction with) technology.

Although technological tragedies differ in many respects from classical tragedies, they also show deep continuities. Just as in the case of their classical models, the behavior of the tragic heroes of our time is characterized by miscalculation (hamartia), blindness (atè) with regard to the tragic reality and foolhardiness (hybris).Now, tragic events do not automatically raise tragic awareness. Tragedies are characterized by the fact that the tragic heroes – unlike the spectators – are unaware of the fate that is befalling them, and coming about because of them. But most tragedies also have a reversal of circumstances (peripéteia), a moment at which hopeful expectation crumbles and the hero suddenly becomes aware of his tragic position. Postmodernity is another way of saying that modern culture recognizes itself as tragic.

"In an era of heightened existential vulnerability and awareness of finitude there is a correspondingly heightened need for new contexts of human understanding. Here we owe an enormous debt of gratitude to de Mul for providing us with a superb explication of the thought of Wilhelm Dilthey, whose precocious insights into the finitude and historical contingency of human understanding promise to contribute immeasurably to the widening of its horizons."

Robert D. Stolorow, Human Studies. A Journal for Philosophy and the Social Sciences (2012) Read entire review

Also see The Tragedy of Finitude

Published in Publications
Page 10 of 12